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Tom Stoppard

Salvage

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Comprising of three sequential plays, The Coast of Utopia chronicles the story of romantics and revolutionaries caught up in a struggle for political freedom in an age of emperors.The Coast of Utopia is Tom Stoppard’s long-awaited and monumental trilogy that explores a group of friends who come of age under the Tsarist autocracy of Nicholas I, and for whom the term “intelligentsia” was coined. Among them are the anarchist Michael Bakunin, who was to challenge Marx for the soul of the masses; Ivan Turgenev, author of some of the most enduring works in Russian literature; the brilliant, erratic young critic Vissarion Belinsky; and Alexander Herzen, a nobleman's son and the first self-proclaimed socialist in Russia, who becomes the main focus of this drama of politics, love, loss and betrayal. In The Coast of Utopia, Stoppard presents an inspired examination of the struggle between romantic anarchy, utopian idealism and practical reformation in what The New York Times calls, “The biggest theatrical event of the year. … Brilliant, sprawling. … A rich pageant.”
Эта книга сейчас недоступна
107 бумажных страниц
Дата публикации оригинала
2003
Год выхода издания
2003
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Впечатления

  • Elena Bolkhovitinovaделится впечатлением8 лет назад
    💡Learnt A Lot
    🎯Worthwhile
    💞Loved Up
    🚀Unputdownable

Цитаты

  • Elena Bolkhovitinovaцитирует7 лет назад
    HERZEN (to Marx) But history has no culmination! There is always as much in front as behind. There is no libretto. History knocks at a thousand gates at every moment, and the gatekeeper is chance. We shout into the mist for this one or that one to be opened for us, but through every gate there are a thousand more. We need wit and courage to make our way while our way is making us. But that is our dignity as human beings, and we rob ourselves if we pardon us by the absolution of historical necessity. What kind of beast is it, this Ginger Cat with its insatiable appetite for human sacrifice? This Moloch who promises that everything will be beautiful after we're dead? A distant end is not an end but a trap. The end we work for must be closer, the labourer's wage, the pleasure in the work done, the summer lightning of personal happiness …
  • Elena Bolkhovitinovaцитирует7 лет назад
    HERZEN We have to open men's eyes and not tear them out … and if we see differently, it's all right, we don't have to kill the myopic in our myopia … We have to bring what's good along with us. People won't forgive us. I imagine myself the future custodian of a broken statue, a blank wall, a desecrated grave, telling everyone who passes by, ‘Yes—yes, all this was destroyed by the revolution.’

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