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Dirk Bogarde

A Short Walk from Harrods

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First published in 1993, A Short Walk from Harrods is volume six of Dirk Bogarde's best-selling memoirs

Forced to return to London because of his manager and his partner's rapidly deteriorating health, Bogarde learned to re-adapt to life in the west London neighbourhoods that groomed him as an aspiring young actor. With his fame fading and his descent into old age, the entire process had become rather difficult to endure. He writes of stalking the streets like an 'apologetic turtle' and avoiding society, announcing that he would, from then on, only do 'matinees' because he is too tired to go out in the evenings.
Although this memoir finds Bogarde at his most vulnerable, he retains the lucidity and charm that makes his writing so enjoyable. As ever, he expresses a deep sentimentality that ensures no detail goes unnoticed or unfelt.
Эта книга сейчас недоступна
309 бумажных страниц
Год выхода издания
2012
Издательства
Bloomsbury Publishing, Bloomsbury Reader
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Цитаты

  • Лена Белицкаяцитирует7 лет назад
    Chapter 1
    Sitting here, as presently I am, the nicotiana is higher than my head. Well. As high as. The scent is overwhelming, drifting out into the still evening air. I suppose that I should try and find a word other than ‘drifting’. But that is exactly what scents do on still summer evenings; it’s what this scent is doing. So it remains. Drifting. It’s all part of building up an illusion of peace and calm. I planted the things out in April, earlier than advised, but I did it anyway, and did it so that I should be able to sit one evening quite embowered by blossom and suffocated by heavy scent.
    And so I am.
    A sort of peace descends. It would appear, from all outward signs, that stress has faded.
    Only ‘appear’. I still jump like a loon if a book falls, a door bangs, the telephone rings. That’s rare. Rarer than falling books or banging doors. The telephone hardly ever rings. And never between Friday afternoon and Monday afternoon.
    People go away.
    Sometimes, on Sundays, if it gets really grim, I walk to the station to buy a newspaper I don’t need, or want, and talk to the very friendly chap who runs the paper stall. His mate runs the flower stall. We speak of the weather, local football (about which I know nothing, but I nod and listen), and it breaks the silence.
    Heigh ho. A fat bee nudges rather hopelessly among the fluted white trumpets. If you could talk to a ruddy bee I’d tell it that it was out of luck. You won’t get any pollen from that lot, the trumpet is far too narrow.
    But it’s not after pollen. Nectar. That’s the word. And it won’t get that either. A hopeless, fruitless search.
    Talking aloud to oneself, or trying to engage a bee in conversation, or discuss the state of the day with a portrait, or the wallpaper, is an almost certain sign of incipient madness and, or, senility.
    I don’t honestly feel that I have reached either of those stations of the cross; but I have checked it out with others who live alone and living alone, they assure me, gets you chatting up a storm.
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