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Merlin Coverley

Hauntology

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Ghosts and spectres, the eerie and the occult. Why is contemporary culture so preoccupied by the supernatural, so captivated by the revenants of an earlier age, so haunted? The concept of Hauntology has evolved since first emerging in the 1990s, and has now entered the cultural mainstream as a shorthand for our new-found obsession with the recent past. But where does this term come from and what exactly does it mean?
This book seeks to answer these questions by examining the history of our fascination with the uncanny from the golden age of the Victorian ghost story to the present day. From Dickens to Derrida, MR James to Mark Fisher; from the rise of Spiritualism to the folk horror revival, Hauntology traces our continuing engagement with these esoteric ideas. Moving between the literary and the theoretical, the visual and the political, Hauntology explores our nostalgia for the cultural artefacts of a past from which we seem unable to break free.
Praise for Merlin Coverley
'This little book [Psychogeography] does exactly what an introduction should; it examines, explains, and whets the appetite' — Telegraph
'This succinct book is a definite first port ofcall for anyone interested in this most esotericof theories. A portmanteau of information,a pin-pointing of psychogeography's literaryimpact and standing, and a stimulating read' — 3:AM Magazine
Эта книга сейчас недоступна
324 бумажные страницы
Дата публикации оригинала
2020
Год выхода издания
2020
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Цитаты

  • Daniel Lekhovitserцитирует3 года назад
    for of all the ways in which the spectral manifests itself in Derrida’s schema, from the economic and the technological to the political, religious and cultural, it is only as a function of time that the concept of hauntology can be fully understood.
  • Daniel Lekhovitserцитирует3 года назад
    Specters of Marx, in which the term hauntology is mentioned only three times,
  • Daniel Lekhovitserцитирует3 года назад
    r the term hantise, translated here as ‘haunting’, also contains ‘the common sense of an obsession, a constant fear, a fixed idea, or a nagging memory’,
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