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Sam Jacob

Make it Real: Architecture as Enactment

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Sam Jacob is a director of London-based architecture practice FAT, where he has been responsible for award-winning projects spanning architecture, design and masterplanning. He is a contributing editor at Icon, a columnist for Art Review and a contributor to many other publications. He teaches at the Architectural Association in London and is Professor of Architecture at University of Illinois at Chicago. He writes and edits strangeharvest.com
Эта книга сейчас недоступна
34 бумажные страницы
Дата публикации оригинала
2012
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Цитаты

  • juliacmosherцитирует3 года назад
    If we trace architecture’s history, we can see that this radical re-enactment is a fundamental mode of its development. We might begin a historical survey of architecture’s re-enactments with the Egyptian column, which was carved from stone to represent a tree trunk or a bundle of reeds. Right here, in a foundational moment, we see re-enactment as the primary architectural idea. The primitive tree-column returns just as it is being technologically superseded. The original gesture of the tree-column is radically altered through its re-enactment in stone, through its revival as a kind of ritualised symbol that celebrates its own origins.
  • juliacmosherцитирует3 года назад
    The representation of history is, of course, highly politicised. As Churchill tells us, history is written by the victors. He suggests that history is at least part fiction, and that its writing is a spoil of war. In its own way, architecture is also a spoil of war, arising out of ideological, aesthetic, economic as well as military conflicts. But in contrast to written history, architecture’s victorious narrative manifests itself as reality. It not only represents and illustrates this fictional history but physically embodies it, playing it out through substance, space and programme.
  • Polina Kasperцитирует4 года назад
    The effect of this endless repetition is to create a sensation of inevitability, of naturalising even the most radical of intentions

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