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The Song Machine: Inside the Hit Factory
Эта книга сейчас недоступна
406 бумажных страниц
- Дата публикации оригинала
- 2015
- Год выхода издания
- 2015
Цитаты
- Nikolai C.цитирует5 лет назад
Another common problem hit factories suffer is that the balance of power between the artists and the writers and producers tends to change over time. At the beginning, the artists are regarded as mere hired hands by the writers and the producers, who are the real artists in the operation. But with success, the artists come to feel that they are, in fact, real artists—everything about the way they are sold to the world confirms it. They demand, at a minimum, more respect from their songwriters and producers, and they usually insist on more creative control over the songs. Some want to write their own material, often with disastrous results. - Nikolai C.цитирует5 лет назадAs Denniz once said, in response to a question about how hard could it possibly be to write such simple songs, “it’s much more difficult to make it simple, especially achieving a simplicity without having it sound incredibly trivial
- Nikolai C.цитирует5 лет назадIt wasn’t a luxurious car and it always needed a wash, but Denniz relied on it to test songs in; he knew that one of the keys to popular success in the United States was making songs that sounded good in the car.
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