Part memoir, part meditation on poetry, part conversation with her husband, friends, and the many animals that live with and around her, Coles’s The Stranger I Become probes the permeable boundary between inner life and outer, thought and action, science and experience. Coles begins this collection of lyric essays with a meditation on walking, and “the urge to move beyond, to understand myself as a stranger, estranged.”
The essays travel, always on foot, from Coles’s home, with its indoor and outdoor birds, into the canyon her home overlooks, itself populated with creatures ranging from voles to owls, moose, bobcats, and coyotes. From there, always looking, always walking, often in company, they move into her own neighborhood and through other cities domestic and foreign, which, alongside the poems that inhabit her, make up the fabric of her experience.
