Having set global warming in irreversible motion, we are facing the possibility of ecological catastrophe. But the environmental emergency is also a crisis for our philosophical habits of thought, confronting us with a problem that seems to defy not only our control but also our understanding. Global warming is perhaps the most dramatic example of what Timothy Morton calls “hyperobjects”—entities of such vast temporal and spatial dimensions that they defeat traditional ideas about what a thing is in the first place. In this book, Morton explains what hyperobjects are and their impact on how we think, how we coexist with one another and with nonhumans, and how we experience our politics, ethics, and art.
Moving fluidly between philosophy, science, literature, visual and conceptual art, and popular culture, the book argues that hyperobjects show that the end of the world has already occurred in the sense that concepts such as world, nature, and even environment are no longer a meaningful horizon against which human events take place. Instead of inhabiting a world, we find ourselves inside a number of hyperobjects, such as climate, nuclear weapons, evolution, or relativity. Such objects put unbearable strains on our normal ways of reasoning.
Insisting that we have to reinvent how we think to even begin to comprehend the world we now live in, Hyperobjects takes the first steps.
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Review:
In Hyperobjects, Timothy Morton brings to bear his deep knowledge of a wide array of subjects to propose a new way of looking at our situation, which might allow us to take action toward the future health of the biosphere. Crucially, the relations between Buddhism and science, nature and culture, are examined in the fusion of a single vision. The result is a great work of cognitive mapping, both exciting and useful. — Kim Stanley Robinson, author of Shaman, 2312, and the Mars trilogy
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With the concept of world melted by global warming, Timothy Morton gives us a new and much needed concept, the hyperobject, and surrounds it with a consciousness of the planet that is not ours. In these times, there can be no critical theory or philosophical meditation without turning to Morton's writings; at once political, poetic, and personal, they offer a brilliant elaboration of object-oriented ontology. — Patricia Ticineto Clough, author of Autoaffection: Unconscious Thought in the Age of Teletechnology
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Timothy Morton (born 1968) is Professor and Rita Shea Guffey Chair in English at Rice University. A member of the object-oriented philosophy movement, Morton's work explores the intersection of object-oriented thought and ecological studies. He coined the term 'hyperobjects', in 2010, to explain objects so massively distributed in time and space as to transcend localization, such as climate change and styrofoam. Morton has also written extensively about the literature of Percy Bysshe Shelley and Mary Shelley, Romanticism, diet studies, and ecotheory.
Objects such as light bulbs, a microwave oven, wire, fuses, three computers, solar panels, and plugs are distributed so that energy flows among them as evenly and as equally as possible.
