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Lyutsiya Staub

Revisiting Renoir, Manet and Degas

This work analyses the relationship between visual art and contemporary art fiction by addressing the problem of the ekphrastic re-presentation and re-interpretation of an Impressionist figure painting through its composition, selected details of the painting and allusion to specific techniques used in the process of creating the masterpiece based on the examples of the following novels: Luncheon of the Boating Party (LOTBP) by Susan Vreeland (2007), Mademoiselle Victorine (MV) by Debra Finerman (2007), With Violets (WV) by Elizabeth Robards (2008), Dancing for Degas (DFD) by Kathryn Wagner (2010) and The Painted Girls (TPG) by Cathy Marie Buchanan (2013).
393 бумажные страницы
Правообладатель
Bookwire
Дата публикации оригинала
2019
Год выхода издания
2019
Издательство
Narr Francke Attempto Verlag
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Цитаты

  • Talia Garzaцитирует4 месяца назад
    sense-impressions of seen objects that put emphasis on their hues”
  • Talia Garzaцитирует4 месяца назад
    Impressionism offers “canvases that [play] on a tension between an openly dabbed-on plane surface and a rendering of
  • Talia Garzaцитирует4 месяца назад
    Impressionists step aside from traditionally approved historical or mythological subjects and find theirs in everyday ‘real’ life.
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