Within poetic naturalism we can distinguish among three different kinds of stories we can tell about the world. There is the deepest, most fundamental description we can imagine—the whole universe, exactly described in every microscopic detail. Modern science doesn’t know what that description actually is right now, but we presume that there at least is such an underlying reality. Then there are “emergent” or “effective” descriptions, valid within some limited domain. That’s where we talk about ships and people, macroscopic collections of stuff that we group into individual entities as part of this higher-level vocabulary. Finally, there are values: concepts of right and wrong, purpose and duty, or beauty and ugliness. Unlike higher-level scientific descriptions, these are not determined by the scientific goal of fitting the data. We have other goals: we want to be good people, get along with others, and find meaning in our lives. Figuring out the best way to talk about the world is an important part of working toward those goals.