In my husband’s Box II, under some notebooks, there’s a book titled The Soundscape, by R. Murray Schafer. I remember reading it many years ago and understanding only a meager portion of it but understanding at least that it was a titanic effort, possibly in vain, to organize the surplus of sound that human presence in the world had created. By separating and cataloging sounds, Schafer was trying to get rid of noise. Now I flip through the pages—full of difficult graphs, symbolic notations of different types of sounds, and a vast inventory that catalogs the sounds of what Schafer referred to as the World Soundscape Project. The inventory ranges from “Sounds of Water” and “Sounds of Seasons,” to “Sounds of the Body” and “Domestic Sounds,” to “Internal Combustion Engines,” “Instruments of War and Destruction,” and “Sounds of Time.” Under each of these categories, there is a list of particulars. For example, under “Sounds of the Body” there is: heartbeat, breathing, footsteps, hands (clapping, scratching, etc.), eating, drinking, evacuating, lovemaking, nervous system, dream sounds. At the very end of the inventory is the category “Sound Indicators of Future Occurrences.” But, of course, there are no particulars listed under it.