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Margaret Atwood

The Handmaid’s Tale

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  • asasiprцитирует7 лет назад
    It's good to have small goals that can be easily attained
  • Mariaцитирует6 лет назад
    You would look at the man one day and you would think, I loved you, and the tense would be past, and you would be filled with a sense of wonder, because it was such an amazing and precarious and dumb thing to have done
  • Tatiana Bunaevaцитирует7 лет назад
    "Women know that instinctively. Why did they buy so many different clothes, in the old days? To trick the men into thinking they were several different women. A new one each day."
  • utiutsцитирует8 лет назад
    I try not to think too much. Like other things now, thought must be rationed.
  • b4299517471цитирует10 месяцев назад
    Moira was out there somewhere. She was at large, or dead. What would she do? The thought of what she would do expanded till it filled the room. At any moment there might be a shattering explosion, the glass of the windows would fall inward, the doors would swing open… Moira had power now, she'd been set loose, she'd set herself loose. She was now a loose woman.

    I think we found this frightening.

    Moira was like an elevator with open sides. She made us dizzy. Already we were losing the taste for freedom, already we were finding these walls secure. In the upper reaches of the atmosphere you'd come apart, you'd vaporize, there would be no pressure holding you together.

    Nevertheless Moira was our fantasy. We hugged her to us, she was with us in secret, a giggle; she was lava beneath the crust of daily life. In the light of Moira, the Aunts were less fearsome and more absurd. Their power had a flaw to it. They could be shanghaied in toilets. The audacity was what we liked.

    We expected her to be dragged in at any minute, as she had been before. We could not imagine what they might do to her this time. It would be very bad, whatever it was.

    But nothing happened. Moira didn't reappear. She hasn't yet.
  • b4299517471цитируетв прошлом году
    The chances are one in four, we learned that at the Center. The air got too full, once, of chemicals, rays, radiation, the water swarmed with toxic molecules, all of that takes years to clean up, and meanwhile they creep into your body, camp out in your fatty cells. Who knows, your very flesh may be polluted, dirty as an oily beach, sure death to shore birds and unborn babies. Maybe a vulture would die of eating you. Maybe you light up in the dark, like an old-fashioned watch. Deathwatch. That's a kind of beetle, it buries carrion.

    I can't think of myself, my body, sometimes, without seeing the skeleton: how I must appear to an electron. A cradle of life, made of bones; and within, hazards, warped proteins, bad crystals jagged as glass. Women took medicines, pills, men sprayed trees, cows ate grass, all that souped-up piss flowed into the rivers. Not to mention the exploding atomic power plants, along the San Andreas fault, nobody's fault, during the earthquakes, and the mutant strain of syphilis no mold could touch. Some did it themselves, had themselves tied shut with catgut or scarred with chemicals. How could they, said Aunt Lydia, oh how could they have done such a thing? lezebels! Scorning God's gifts! Wringing her hands.

    It's a risk you're taking, said Aunt Lydia, but you are the shock troops, you will march out in advance, into dangerous territory. The greater the risk the greater the glory. She clasped her hands, radiant with our phony courage. We looked down at the tops of our desks. To go through all that and give birth to a shredder: it wasn't a fine thought. We didn't know exactly what would happen to the babies that didn't get passed, that were declared Unbabies. But we knew they were put somewhere, quickly, away.
  • b4299517471цитируетв прошлом году
    The tastes of Serena Joy are a strange blend: hard lust for quality, soft sentimental cravings.
  • b4299517471цитируетв прошлом году
    Here is what I believe.

    I believe Luke is lying face down in a thicket, a tangle of bracken, the brown fronds from last year under the green ones just unrolled, or ground hemlock perhaps, although it's too early for the red berries. What is left of him: his hair, the bones, the plaid wool shirt, green and black, the leather belt, the work boots. I know exactly what he was wearing. I can see his clothes in my mind, bright as a lithograph or a full-color advertisement, from an ancient magazine, though not his face, not so well. His face is beginning to fade, possibly because it wasn't always the same: his face had different expressions, his clothes did not.

    I pray that the hole, or two or three, there was more than one shot, they were close together, I pray that at least one hole is neatly, quickly, and finally through the skull, through the place where all the pictures were, so that there would have been only the one flash, of darkness or pain, dull I hope, like the word thud, only the one and then silence.

    I believe this.

    I also believe that Luke is sitting up, in a rectangle somewhere, gray cement, on a ledge or the edge of something, a bed or chair. God knows what he's wearing, God knows what they've put him in. God isn't the only one who knows, so maybe there could be some way of finding out. He hasn't shaved for a year, though they cut his hair short, whenever they feel like it, for lice they say. I'll have to revise that: if they cut the hair for lice, they'd cut the beard too. You'd think.
  • b4299517471цитируетв прошлом году
    It's warm for the time of year. Houses like this heat up in the sun, there's not enough insulation. Around me the air is stagnant, despite the little current, the breath coming in past the curtains. I'd like to be able to open the window as wide as it could go. Soon we'll be allowed to change into the summer dresses.

    The summer dresses are unpacked and hanging in the closet, two of them, pure cotton, which is better than synthetics like the cheaper ones, though even so, when it's muggy, in July and August, you sweat inside them. No worry about sunburn though, said Aunt Lydia. The spectacles women used to make of themselves. Oiling themselves like roast meat on a spit, and bare backs and shoulders, on the street, in public, and legs, not even stockings on them, no wonder those things used to happen. Things, the word she used when whatever it stood for was too distasteful or filthy or horrible to pass her lips. A successful life for her was one that avoided things, excluded things. Such things do not happen to nice women. And not good for the complexion, not at all, wrinkle you up like a dried apple. But we weren't supposed to care about our complexions anymore, she'd forgotten that.

    In the park, said Aunt Lydia, lying on blankets, men and women together sometimes, and at that she began to cry,.standing up there in front of us, in full view.

    I'm doing my best, she said. I'm trying to give you the best chance you can have. She blinked, the light was too strong lor her, her mouth trembled, around her front teeth, teeth that Murk out a little and were long and yellowish, and I thought about the dead mice we would find on the doorstep, when we lived in a house, all three of us, four counting our cat, who was the one making these offerings.

    Aunt Lydia pressed her hand over her mouth of dead rodent. After a minute she took her hand away • I wanted to cry too because she reminded me. If only she wouldn't eat half of them first, I said to Luke.

    Don't think it's easy for me either, said Aunt Lydia.
  • Muhammad Abdillahцитируетв прошлом году
    Moira, don’t.

    I couldn’t stand the thought of her not being here, with me. For me.
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