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Marshall McLuhan

Understanding Media: The Extensions of Man

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When first published, Marshall McLuhan’s Understanding Media made history with its radical view of the effects of electronic communications upon man and life in the twentieth century. This edition of McLuhan’s best-known book both enhances its accessibility to a general audience and provides the full critical apparatus necessary for scholars. In Terrence Gordon’s own words, “McLuhan is in full flight already in the introduction, challenging us to plunge with him into what he calls ‘the creative process of knowing.’” Much to the chagrin of his contemporary critics McLuhan’s preference was for a prose style that explored rather than explained. Probes, or aphorisms, were an indispensable tool with which he sought to prompt and prod the reader into an “understanding of how media operate” and to provoke reflection.
In the 1960s McLuhan’s theories aroused both wrath and admiration. It is intriguing to speculate what he might have to say 40 years later on subjects to which he devoted whole chapters such as Television, The Telephone, Weapons, Housing and Money. Today few would dispute that mass media have indeed decentralized modern living and turned the world into a global village.
This critical edition features an appendix that makes available for the first time the core of the research project that spawned the book and individual chapter notes are supported by a glossary of terms, indices of subjects, names, and works cited. There is also a complete bibliography of McLuhan’s published works.
W. Terrence Gordon is Associate General Editor of the Gingko Press McLuhan publishing program, author of the biography Marshall McLuhan: Escape into Understanding and McLuhan for Beginners.
Эта книга сейчас недоступна
513 бумажных страниц
Дата публикации оригинала
2013
Год выхода издания
2013
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Цитаты

  • Benja Olivellaцитирует4 года назад
    Curiously, the newspaper of that time saw the telephone as a rival to the press as P.A. system, such as radio was in fact to be fifty years later. But the telephone, intimate and personal, is the most removed of any medium from the P.A. form.
  • Benja Olivellaцитирует4 года назад
    the Braille system of dots-for-letters had begun as a means of reading military messages in darkness, then was transferred to music, and finally to reading for the blind.
  • Benja Olivellaцитирует4 года назад
    Why is that tension so very much less for an unanswered phone in a movie scene? The answer to all of these questions is simply that the phone is a participant form that demands a partner, with all the intensity of electric polarity. It simply will not act as a background instrument like radio.

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