A pen-on-paper drawing of a London street, a clock, an empty hourglass — the slightest geomantic sketch reveals the place where TDQ was introduced to opium. A weak smile crept upon his lips and he almost laughed aloud, as in a memory. It was perhaps a morning in March (or was it the autumn?) in 1804. His lapidary voice, incurably affable, pronounced high praise of the potion. His entry into that world was like being a guest in the pages of a richly illustrated encyclopedia for children, where inanimate objects have the sturdiness of intoxication momentarily evanesced. Happiness teased him, then tilted, almost as if happiness were itself in a rage — or some graceful convulsion of nature.