David McGowan

Returning to the countercultural films of the 1960s, the most critically acclaimed of the lot, and the one with the deepest roots in Laurel Canyon, was Easy Rider.

Angels from Hell, Hells Angels on Wheels (with Jack Nicholson), and Scorpio Rising (Kenneth Anger’s occult-tinged homage to gay biker culture

Wohlstetter epitomized what became known as the ‘RAND approach