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Anne Lamott

  • b5352567076цитируетв прошлом году
    One of the gifts of being a writer is that it gives you an excuse to do things, to go places and explore. Another is that writing motivates you to look closely at life, at life as it lurches by and tramps around.
  • b5352567076цитируетв прошлом году
    good writing is about telling the truth. We are a species that needs and wants to understand who we are.
  • b5352567076цитируетв прошлом году
    becoming a better writer is going to help you become a better reader, and that is the real payoff.
  • b5352567076цитируетв прошлом году
    E. L. Doctorow once said that "writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way." You don’t have to see where you’re going, you don’t have to see your destination or everything you will pass along the way. You just have to see two or three feet ahead of you.
  • b5352567076цитируетв прошлом году
    Say to yourself in the kindest possible way, Look, honey, all we’re going to do for now is to write a description of the river at sunrise, or the young child swimming in the pool at the club, or the first time the man sees the woman he will marry. That is all we are going to do for now. We are just going to take this bird by bird. But we are going to finish this one short assignment.
  • b5352567076цитируетв прошлом году
    Very few writers really know what they are doing until they’ve done it.
  • b5352567076цитируетв прошлом году
    Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something— anything—down on paper. A friend of mine says that the first draft is the down draft—you just get it down. The second draft is the up draft—you fix it up. You try to say what you have to say more accurately. And the third draft is the dental draft, where you check every tooth, to see if it’s loose or cramped or decayed, or even, God help us, healthy.
  • b5352567076цитируетв прошлом году
    Writing a first draft is very much like watching a Polaroid develop. You can’t—and, in fact, you’re not supposed to— know exactly what the picture is going to look like until it has finished developing.
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