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George Saunders

George Saunders was born December 2, 1958 and raised on the south side of Chicago. In 1981 he received a B.S. in Geophysical Engineering from Colorado School of Mines in Golden, Colorado. He worked at Radian International, an environmental engineering firm in Rochester, NY as a technical writer and geophysical engineer from 1989 to 1996. He has also worked in Sumatra on an oil exploration geophysics crew, as a doorman in Beverly Hills, a roofer in Chicago, a convenience store clerk, a guitarist in a Texas country-and-western band, and a knuckle-puller in a West Texas slaughterhouse. After reading in People magazine about the Master's program at Syracuse University, he applied. Mr. Saunders received an MA with an emphasis in creative writing in 1988. His thesis advisor was Doug Unger.He has been an Assistant Professor, Syracuse University Creative Writing Program since 1997. He has also been a Visiting Writer at Vermont Studio Center, University of Georgia MayMester Program, University of Denver, University of Texas at Austin, St. Petersburg Literary Seminar (St. Petersburg, Russia, Summer 2000), Brown University, Dickinson College, Hobart & William Smith Colleges. He conducted a Guest Workshop at the Eastman School of Music, Fall 1995, and was an Adjunct Professor at Saint John Fisher College, Rochester, New York, 1990-1995; and Adjunct Professor at Siena College, Loudonville, New York in Fall 1989.He is married and has two children.His favorite charity is a project to educate Tibetan refugee children in Nepal.

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Nathanielцитирует2 года назад
A story is a frank, intimate conversation between equals. We keep reading because we continue to feel respected by the writer.
Nathanielцитирует2 года назад
The boldness of this leap teaches us something important about the short story: it is not a documentary or rigorous accounting of the passage of time or a fair-minded attempt to show life as it is really lived; it’s a radically shaped, even somewhat cartoonish (when held up against the tedious real world) little machine that thrills us with the extremity of its decisiveness.
Nathanielцитирует2 года назад
Chekhov doesn’t stop here because he evidently feels that he can, within that remaining half page, find some further escalation. He’s on the hunt for one more expansion in meaning. Let’s see what he does next. (I feel like one of those whispering golf announcers: “Anton is approaching the end of the story, Verne. What a moment!”)

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Andreea Elenaделится впечатлением7 месяцев назад
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    George Saunders
    A Swim in a Pond in the Rain
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