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Elena Ferrante

  • finalfadeoutцитирует5 месяцев назад
    Is it possible that our parents never die, that every child inevitably conceals them in himself? Would my mother truly emerge from me, with her limping gait, as my destiny?
  • finalfadeoutцитирует5 месяцев назад
    Lila was like that? She didn’t have my stubborn diligence? She drew out of herself thoughts, shoes, words written and spoken, complicated plans, rages and inventions, only to show me something of herself? Having lost that motivation, she was lost? Even the treatment to which she had subjected her wedding photograph—even that she would never be able to repeat? Everything, in her, was the result of the chaos of an occasion?
  • finalfadeoutцитирует5 месяцев назад
    Lila, seeing him so upset, listening to him—and recalling the composure he had always shown when they were engaged—had burst out laughing, and Stefano had gone for a drive, so as not to murder her.
  • finalfadeoutцитирует5 месяцев назад
    Was I afraid that that violence, if I did not get what I wanted, would explode in my chest, taking the path of the worst feelings—for example, the one that had driven me to compare Nino’s beautiful mouth to the flesh of a dead rat?
  • finalfadeoutцитирует5 месяцев назад
    There are moments when we resort to senseless formulations and advance absurd claims to hide straightforward feelings.
  • finalfadeoutцитирует5 месяцев назад
    She used that verb, amare, that we had found only in books and in the movies, that no one used in the neighborhood, I would say it at most to myself, we all preferred voler bene. She no, she loved. She loved Nino. But she knew very well that that love had to be suffocated, every occasion for it to breathe had to be removed. And she would do it, she would do it starting Saturday night. She had no doubts, she would be capable of it, and I had to trust her. But the very little time that remained she wished to devote to Nino.
  • finalfadeoutцитирует5 месяцев назад
    I felt chained to an intolerable pact of friendship. How tortuous everything was. It was I who had dragged Lila to Ischia. I had used her to pursue Nino, hopelessly. I had relinquished the money from the bookstore on Via Mezzocannone for the money that she gave me. I had put myself in her service and now I was playing the role of the servant who comes to the aid of her mistress. I was covering for her adultery. I was preparing it. I was helping her take Nino, take him in my place, be fucked—yes, fucked—fucked by him for a whole day and a whole night, give him blow jobs. My temples began to throb, I kicked the sand with my heel once, twice, three times, it was a thrill to hear echoing in my head childhood words, overloaded with sex imagined in ignorance. High school disappeared, the wonderful sonority of the books disappeared, of the translations from Greek and Latin. I stared at the sparkling sea, and the long livid array of clouds that was moving from the horizon toward the blue sky, toward the white streak of condensation, and I could barely see them, Nino and Lila, black dots. I couldn’t tell if they were swimming toward the mass of clouds on the horizon or turning back. I wished that they would drown and that death would take from them the joys of the next day.
  • finalfadeoutцитирует5 месяцев назад
    spent hours in a state of wary anxiety that coexisted seamlessly with a growing sense of liberation.
  • finalfadeoutцитирует5 месяцев назад
    There were entire libraries separating him and Antonio, but they were similar.
  • Ian Romel Mendozaцитирует5 месяцев назад
    When you haven’t been in the world long, it’s hard to comprehend what disasters are at the origin of a sense of disaster: maybe you don’t even feel the need to.
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